Thursday, 14 January 2016

A Grief of One's Own




I wasn't going to post again about Bowie for a while, but something I saw via Facebook caught my eye. A comment piece on the Daily (who else?) Mail Online, where the headline was basically “I find this hysteria a little over the top!” Of course this was on the Mail, because surely only the Mail would put together a special subsection of their website devoted to all things Dead Bowie, including (but not limited to): pictures of his teenage child, speculation about fertility treatment, the nature of his death, and even a slavering piece about a luxury house in the Caribbean, complete with luxurious photographs and vomitorious copy… and then have a columnist slating the reactions as over the top.

You could play Classic Bigotry Hypocrisy House Price Mail Bingo with this stuff… while the self-serving nonsense coming from the likes of Tony Blair and David Cameron deserves to be called out for what it is, it’s in an uncomfortably similar vein to some of the stuff said of the popular responses and the usual stuff that comes out every time someone famous dies about how fans “should” respond. How we “should” feel. How we’re allowed to feel.

‘Well it’s not like you knew him.’

‘Oh, well you’ve still got the music, so it’s fine.’

‘Why are you so upset about a celebrity?’

(I’m paraphrasing real people and keeping them anonymous, rather than sockpuppeting to make a point, I promise).

Some people speak from a genuine desire to provide some small shred of comfort. Others speak to pass judgement.

I teetered on the brink of it on Monday: in my anger at the media covering this like some fabulous special event, I sniped to my friend Rachel about the mass of fans gathered in Brixton, and the flowers in Heddon Street.

Then, gently prodded back to more level-headed thinking by Rachel, I remembered something which is true no matter who died or what they meant to you: nobody gets to tell anyone else how to grieve.

Let me be clear: fans don't trump family and friends and I can’t think of a time when they should. My last post specifically excluded any comment about the people who lost someone beyond the public figure. I can't imagine what it’s like for them, because every person is different and each individual grief is different, and I won’t insult them by trying.

But fans occupy an uncertain space in this. We're not the media, who have their own agenda, nor are we directly connected to the deceased (Bowie is just the most recent). But that doesn't stop us feeling as we do.

Some fans clearly wanted a communal experience and wanted to share in a space relevant (sort of) to Bowie. I couldn't imagine anything I'd like less, but as a Thin Lizzy and Doors fan, I've done community grief and didn't find any comfort. Mass celebration, on the other hand, can be magnificent. That’s my way, you have yours.
We fans have the right to our sorrow and our grief, and no contemptuous bystanders can take it away.

Look, some folks can use music as background colour. That's cool. Some folks can really like the music without any interest in or connection to the man himself. Some of us love him for providing music because it was not merely background. Bowie has been part of the fabric of our cultural landscape for more than 45 years (longer if you were in the London scene) and – more than most – practically formed the centre of an entire subculture. If you found a place of belonging in the world, found pals and lovers, all because of Bowie’s work, would you not feel something towards the man himself?

For some people, he has been a more constant and longstanding presence than wives, husbands, children, friends et cetera.
Bowie was there for us when we were scared children and lonely misfits; when we were falling in love and out of it; when we danced, when we laughed; when we cried; when we first felt stirrings of attraction and lust, because just look at that beautiful, terrible creature and listen to his voice…

We aspired to be like him; we crushed on him; we wondered what the fuck he was thinking sometimes (ask a Bowie fan about “Tonight”). Those who grew up at the same time are likely questioning their own mortality this week. Those teenagers now discovering him as part of their own ‘who am I and what the hell is this world?’ experience have had the man himself snatched away just as he started to mean something to them.

I can't personally say “Bowie saved my life!” as I can for other musicians did with their work. Yet, there have been days when I could face the world because his music buoyed me up just enough. When I could smile, because Bowie. When I found common ground with others, because Bowie. When I sat in a hairdresser getting the Thin White Duke haircut and feeling that I looked a little more like myself than I did before I went in.

Just watch Bowie interviews, especially 2001-onwards and I defy you not to be charmed, to not like him at least a little. Whether it's an act or not, maybe that doesn't matter so much. I say this while truly acknowledging the underage groupies and fascism stuff lurking in the background.

There are people jumping on the bandwagon, who simply must be seen to be rending their garments because they want to be seen to be sad, as if it confers some measure of cool… and there have been times over the last few days where I’ve almost felt like I should be taking a test to prove my credentials because of those folks…

They’re not helping matters, but it doesn’t alter the fact that the rest of us are entitled to feel like there's something missing, like a world is dimmer, sadder, whatever it is any of us feel… because this means something to us.

Being a fan gets short shrift at the best of times, especially when you’re female and it all gets seen through the mockery of fangirls and crushes and all that stuff which might be true and might not. We feel as we feel, for whatever reasons, and there is truth to that, whether reciprocated or not, whether healthy, or not.

Fandom is not simple hero worship (ask Bowie fans about Tin Machine) and it’s not the "break into their house" obsession. It's also a more two-way experience than you might think: the people on stage take a lot from us. It isn’t just some transactional thing: our response to them feeds their own needs and wants (sometimes too literally), but also to take inspiration, to meet, defy and exceed our expectations. And yeah, often they make huge amounts of money.

Without fans they would be incomplete, and the opposite is also true. Symbiosis, my friends. Maybe you don’t get it, and maybe you think we’re idiots, but there’s probably stuff you do that we think is odd or stupid… and if one more football fan ignores their tendency to go over the top while they mock our pain? Let’s return to the Hypocrisy Bingo card, kids!

We are entitled to our pain and loss and sorrow. Some of us will be okay tomorrow. Some of us won’t be. Speak to Michael Jackson fans and ask what their experience was; or Tupac/Kurt/Lennon fans, or… look, music has a really high mortality rate so there’s plenty to choose from. Try listening to us instead of mocking us for our reactions.

Try not to judge us. I don’t know if you’ve heard: David Bowie died, and our world is changed from the world we knew on Sunday.

Tuesday, 12 January 2016

David Bowie Is... gone

I've been intending to move over to blog here for literally years and I started moving some of the less-crap posts from the old days...

Well if I'm going to move platforms, it might as well be today, with this. You can find the old blog at apolla.livejournal.com.

David Bowie Is...

Thursday, 17 September 2015

From the Vaults - Ava, Miss Gardner

This was originally posted on the Obsolete Blog That Is Obsolete on 12 July 2004...

I'd put money on nobody else giving a flying fuck about this, but it needs to be said

OK, so I'm off to see Grandad tomorrow to fit a new belt on his record player - it's so old the rubber perished and got loose so I bought him another one. I thought to myself that I should go to sleep nice and early. However, there was a Paul Newman film on TV: The Life & Times of Judge Roy Bean which I decided to tape. Set up the video and all... waited until it started just to be sure... and then found out that Ava Gardner was in it as Lily Langtry.

So I kept watching to see what it was about - I knew it was a sort of comedy western, and you know, John Huston is one of the best directors to ever pick up a viewfinder....

Sunday, 13 September 2015

From the Vaults - Buying Rolling Stone for once

This post originally appeared on The Ancient Blog on 1 May 2004...


I don't like Marilyn Manson. I don't like his music and I think there are better ways of grabbing the world's attention than looking like a total twonk... but I have always had respect for him in a way I've never had for people like Robbie/Kylie/Justin/Britney/Phil Collins. I get that he's a clever guy who looks like he does and sounds like he does because he's making a personal statement that isn't ever going to be a really popular one. I also rather loved what he said to Michael Moore in Bowling for Columbine.

So yesterday when I bought Rolling Stone's 'The Immortals' issue (April 15 2004) and found he was the one writing the piece about the Doors (of course they're on the list, doubters!) I was caught between thinking 'God, I have the Doors in common with Marilyn Fucking Manson? and 'let's see what the dude has to say'.

Tuesday, 8 September 2015

Monday, 7 September 2015

Women & Rock Music


I like to think we live in enlightened times. Times where Germaine Greer can muck about on reality TV because she no longer needs to spout feminist stuff. She doesn't need to because we're sorted, more or less. There's still an economic and professional glass ceiling, but it's getting weaker. Chauvinism has no place in Britain anymore, hurrah hurrah...

3rd July 2005 - On Morrison

This was originally posted at Ye Olde Blog on 3rd July 2005, when Live8 was on.

I was yet to return to beloved London at that point, and within only a few days, my beloved city would suffer through another terrorist attack. I was terribly sad about Jim Morrison, because the more things change, the more they stay the same.

3rd July 2005

I have nothing to say about Live 8 that hasn't already been said except that in my great need to avoid RobbiefuckingWilliams, who seemed to be under the impression people were there for him, I missed The Who...

I'm told Roger remains Dorian Gray-like in his ability to stay looking forever young. I'm fairly positive that Live 8 will change absolutely fuck all, because rock and roll cannot save the world. 


Rock and roll cannot even save itself. Which brings me so neatly to the point of this post.